My research is about the intersection of literature and information technology, and in particular how 20th-century drama can help us understand what is gained and lost when we perform most of our lives on online platforms. My dissertation, Literary Informatics (Boston University, 2025), works this out through what I call 'informativity': how performativity changes when the bodies being stylized are electric. It is written in Twine and has a practice section on my own adaptations.
More recently I've been writing and running workshops about technonecromancy: what happens when an author's corpus is fed to a language model and the model is asked to speak in their voice. I ran a workshop on it at ELO 2025.